![]() Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie. Brown-two of the creators of the Met’s sensational recent production of Porgy and Bess-co-direct this new staging Brown, who is also the production’s choreographer, becomes the first Black director to create a mainstage Met production. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” Featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. After a wildly successful run at The Metropolitan Opera, Terence Blanchard presents his masterpiece alongside an incredible ensemble and guest singers. Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. In our conversation, we reflect on that musical feat, and why Blanchard was the ideal composer for the task - and muse about the opera’s broader impact, as more institutions grapple with the issue of representation, and creators continue to seek avenues for their work.Opening Night of the 2021–22 season will be a historic occasion-the Met's first performance of an opera by a Black composer. Multiple Grammy-Award winning musician and composer Terence Blanchard brings his profound and groundbreaking second opera in jazz Fire Shut Up in My Bones. ![]() The music and its performers serve Kasi Lemmons’ libretto masterfully - combining a command of the classical tradition with a commitment to convey the Black experience. Fire is less about forcing improvisational music onto the canvas, and more about drawing from one of the music’s core philosophies: that the composer should serve the narrative by any means necessary. Puccini’s Madama Butterfly 16 Performances Dates: Jan 11 - 27, Feb 27 - Mar 14, Apr 27 - May 11 Cio-Cio San: Aleksandra Kurzak Mozart’s The Magic Flute. Blow’s unflinching memoir as a groundbreaking moment for Black creators in the operatic realm as an emotional experience, both onstage and in the hall.īlanchard has proven that he’s boundless as an improviser, a film composer, and a bandleader. Yannick Nézet-Séguin conducts Grammy Awardwinning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Puts' The Hours 8 Performances Dates: May 5 - 31 Virginia Woolf: Joyce DiDonato Laura Brown: Kelli O’Hara Clarissa Vaughan: Rene Fleming. Nate reviewed the opera for NPR Music, calling it “magnetically powerful.” But both of us came away from the evening with a lot to say, and we knew we had to talk about it here - as a potent translation of Charles M. Back by popular demand, the Metropolitan Operas groundbreaking production of Terence Blanchards Fire Shut Up in My Bones returns to cinemas on February 12 in. It’s been a long 18 months since the last opera on the. ![]() Last week, Greg joined Nate Chinen for the work’s historic premiere at The Metropolitan Opera - when it became the first opera presented by a Black composer in The Met’s 138-year history. Review: The Wrenching ‘Fire Shut Up in My Bones’ Becomes an Opera This new work, with music by Terence Blanchard and a libretto by Kasi Lemmons, is a bold and affecting adaptation of. The Terence Blanchard-Kasi Lemmons FIRE SHUT UP IN MY BONES roared into Lincoln Center to let the audience know what it has been missing. “That encapsulates the African-American experience,” our own Greg Bryant reflects in this episode of Jazz United, which we’ve devoted to Fire.
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